Cinna, the poet, happened to be in the wrong place at the wrong time in Shakespeare’s Julius Caesar. He is the unhappy victim of a moment of mob mentality, when a ruler has been displaced – assassinated – when the crowd are thirsting for revenge having had their heads and heart turned by the words of Marc Antony over Caesar’s body at his funeral. Continue reading →
There have been many plays about racism over the past half century but I don’t remember any that hit so hard, so fluently or so entertainingly as the Hull-based company, Middle Child’s The Canary and the Crow written by Daniel Ward. Continue reading →
There’s a sense of déjà vu about Persona launching a new era at Riverside Studios.
Six years after it closed for refurbishment, here is Riverside – once the home of an eclectic range of home grown and touring work, and run for a number of years with great elan by Peter Gill – back in business. Continue reading →
Audacious, sexy and stylish, Alexis Gregory’s Sex/Crime has arrived at Soho, finishing almost as soon as it has begun. No doubt this will not be the last it is seen. Rumours abound of further performances deservedly being planned over the pond. Continue reading →