Remarkable. At 81, Caryl Churchill is still producing new plays as daring in form and treatment as any. She’s now brought not one but four new plays to the Royal Court, in many ways her alma mater where so many of her plays have seen the first light of day. Continue reading →
When it comes to capturing the soul of a nation, America can certainly field some big hitters.
Last year it was the mother of verbatim theatre, Anna Deveare Smith who appeared briefly in London with Notes from the Field, a searing, intense investigation into discrimination seen through the penal and education systems – the disproportionate number of African-Americans in prison, excluded from schools and shot by police. Continue reading →
Royal Court Jerwood Theatre Upstairs, London ****
Runs: 1hr 10 mins without interval
TICKETS 020 7565 -5000
In person: Mon–Sat, 10am-start of perf or 6pm if no show
Total immediate collective imminent terrestrial salvation.
Quite a handful of a title to get hold of. But unlike much printed on the front of the bottle these days, it is what it says. It is a total immediate collective imminent terrestrial salvation – of sorts. Continue reading →
Runs: 2hrs 30 mins incl 15 min interval Review of perf seen Aug 23, 2019: Where would American theatre be without the family drama? It seems we have been watching them forever, from Arthur Miller to good old Tennessee, to latter day versions such as Bruce Norris and Tracey Letts. And not forgetting Lorraine Hansberry whose Raisin in the Sun begat August Wilson’s African-American decology of plays, all of them centred around a family. Continue reading →