Donmar Warehouse, London
© Johan Persson
It seems no time at all since Patrick Marber took the lid off human relationships with Closer. 1997 – almost twenty years ago. At the time, with Dealer’s Choice and then Closer, Marber was firing on all cylinders. And Closer, you could argue, was the sparkiest of them all. Continue reading
Phyllida Lloyd’s second run at an all female Shakespeare succeeds even more enjoyably than did her explosive opener, Julius Caesar. This is a Shakespearean production to treasure on all counts. Like Julius Caesar, once again it is set within a group of women prisoners performing the play inside prison.