Even the best of intentions can sometimes end up messily.
You’d think the combo of Jack Thorne and John Tiffany (Harry Potter and TheCursed Child and before that, Hope, and the brilliant adaptation of the Swedish gothic tale, let the right one in) would be a brilliant reunion. Continue reading →
The great Yukio Ninagawa apart, South East and North East Asia have not figured greatly on our main stages. So Francis Turnly’s Korean/Japanese political/family drama comes as something of a shock. Indeed, it is a shocking tale, carrying with it intimations of past histories and global spheres of influence about which we, in the West, are quite literally shockingly ignorant. Continue reading →
There are some classic lines in Sam Shepard’s brilliant 1978 Pulitzer prize winner, Buried Child. `We can’t not believe in something – we just end up dying if we stop. Just end up dead’. Continue reading →
If only more theatre companies could take a leaf from Frantic Assembly’s Scott Graham and State Theatre Company Australia director, Geordie Brookman! This I know to be true. They’ve found a way with Andrew Bovell’s heartfelt family drama to make every word count, every word audible – even the silences in between. And that, I can tell you, is a rare thing these days. Continue reading →