One thing you can be sure of at Rupert Goold’s Almeida. You will be provoked. You may also be challenged and, at the end of the day, you will have to admire the sheer bravura of the production. Continue reading →
Forty one years ago, US playwright Arthur Kopit’s father had a catastrophic stroke that rendered him speechless.
Out of that family disaster, Kopit (who wrote books for the hit musicals Phantom, Nine and High Society as well as the memorably crazed Ah Dad, Poor Dad, Mamma’s Hung you in the Closet and I’m Feelin’ So Sad) wrote Wings. Continue reading →