Tag Archives: RSC

Coriolanus

Royal Shakespeare Company, Barbican Theatte, London ****

© Helen Maybanks, Sope Dirisu, a bloody iconic anti-hero for our time.

© Helen Maybanks, Sope Dirisu, a bloody iconic anti-hero for our time.

Coriolanus may not be the most frequently staged of Shakespeare’s political Roman dramas although it nearly always gets included when a series of them are run together as here with the latest RSC season, under the banner title of Rome MMXVII. Continue reading

The Alchemist

RSC Barbican Theatre, London (****)

© Helen Maybanks, Mark Lockyer as 1the alchemist', Subtle

© Helen Maybanks, Mark Lockyer as the `alchemist’, Subtle

It’s one of the abiding marks of our age, the con. Whether it’s flashy as in The Hustle, aspirational as in the Lottery, or sophisticated as in The Sting, the con runs through our lives. At any one moment, we’re only a hair’s breadth away from being taken for a ride. These days, it’s more likely to be an online or phone scam offering thousands of pounds at the press of a button or a computer to be saved from a terminal virus or even secondary glazing! Continue reading

Queen Anne

Swan Theatre, Royal Shakespeare Theatre, Stratford-upon-Avon

© Manuel Harlan

© Manuel Harlan

Why don’t we know more about Queen Anne (1665-1714)? Squashed between William and Mary and the first of the Hanoverians, George I, Anne seems to have been completely overlooked by history or, at least, our agreed cultural narrative that favours Elizabeth and Victoria over the stout, rather solemn figure who stares out from royal portraiture. Continue reading

Death of a Salesman

Noel Coward Theatre, London

© Ellie Kurtz

© Ellie Kurttz

Willy Loman is to 20th century drama what Lear is to classical theatre. A titanic figure, he’s one of Arthur Miller’s greatest tragic creations. An achingly desolate symbol of the American dream gone sour, he stands, like Lear, as one of the summits of an actor’s career. The little man who has given his all to a system that has ground him down, it’s a part that demands an enormous journey, like Lear, of the actor who takes him on. Continue reading