The Yorkshire Ripper. Leeds 1975. Anyone reading those words might be forgiven for feeling a shiver down the spine. Notoriety comes in multifarious ways. For some it comes through misdeeds. For Peter Sutcliffe it certainly brought a particular form of `celebrity’. Continue reading →
Cinna, the poet, happened to be in the wrong place at the wrong time in Shakespeare’s Julius Caesar. He is the unhappy victim of a moment of mob mentality, when a ruler has been displaced – assassinated – when the crowd are thirsting for revenge having had their heads and heart turned by the words of Marc Antony over Caesar’s body at his funeral. Continue reading →
There have been many plays about racism over the past half century but I don’t remember any that hit so hard, so fluently or so entertainingly as the Hull-based company, Middle Child’s The Canary and the Crow written by Daniel Ward. Continue reading →
There’s a sense of déjà vu about Persona launching a new era at Riverside Studios.
Six years after it closed for refurbishment, here is Riverside – once the home of an eclectic range of home grown and touring work, and run for a number of years with great elan by Peter Gill – back in business. Continue reading →