The Non-Stop Connolly Show (parts 1 & 2)

Finborough Theatre, London (****)

© Tara Marricdale, Scott Lyons, Lucia McAnespie

© Tara Marricdale,
Scott Lyons, Lucia McAnespie

Well here’s a thing now, to gladden the heart and be amazed. Finborough’s Neil McPherson has taken on nothing less than the full Margaretta D’Arcy and John Arden six-part epic relating to James Connolly, Republican, socialist and leader of the Easter Rising, executed by firing squad for his pains.

Connolly, the son of poor Irish immigrants in Edinburgh, came to regard the capitalist system as anathema. What might he have thought were he alive today?

The parallels between then, early 19th century, D’Arcy and Arden’s re-imagining of Connolly’s political development, written in the mid 1970s when British politics too was in ferment, and now is just one of the many fascinations on offer here.

D’Arcy and Arden themselves remain the ones who got away, outside the mainstream despite Arden’s success with plays such as Sergeant Musgrave’s Dance, Armstrong’s Last Goodnight and Live Like Pigs. A veritable thorn in the British theatrical establishment, it’s a delight if a reminder of our loss to once again taste the fruits of their labour in this stylish, rhyming, unashamedly socialist account of Connolly’s story.

© Tara Marricdale,  Shane Armstrong, Helen Belbin,  Aoife Kilbane, Paul Carroll, Scott Lyons, Melissa Dalton, Lucia Mcanespie, Niamh McGowan, Aidan O'Neill

© Tara Marricdale,
Shane Armstrong, Helen Belbin, Aoife Kilbane, Paul Carroll,
Scott Lyons, Melissa Dalton, Lucia Mcanespie, Niamh McGowan, Aidan O’Neill

Though described as a rehearsed reading, the cast, scripts in hand, are fully up to the task. There’s sharp character definition and passion in even the smallest exchange as Connolly emerges from an impoverished childhood – sent to work at 11 – and begins his political education through family ties and personal experience, nowhere more so than by joining the British Army where, sent to Ireland during the land evictions, he is witness to its cruelties.

Home Rule is in the air and with it the rising tide of Irish socialism. His convictions and trade unionism are further deepened when he returns to Scotland – with an Irish Protestant wife – and where, despite a stammer, he begins to become a political activist and public speaker.

Sadly, only Parts One and Two, Boyhood and Apprenticeship, are covered in this review, the rest being covered during the next two Sunday and Mondays and finally the whole shebang over the weekend of April 23/24.

Your reporter will be on hand for the final show-down, Parts Five and Six – the Great Lockout (1910-14) and World War and the Rising (1914-16). A truly great achievement in the making…

The Non-Stop Connolly Show is at the Finborough to April 24, 2016
This review first published in Reviewsgate, April 2016

Shane Armstrong
Helen Belbin
Paul Carroll
Melissa Dalton
Aoife Kibane
Padraig Lynch
Scott Lyons
Lucia McAnespie
Niamh McGowan
Aiden O’Neill

Directed by: Shane Dempsey
Music by: Alex Brabbins

Produced by: Abigail Hirsch and Laura Sedgwick

First performed at Liberty Hall, Dublin on Saturday March 29, 1975 and Sunday, March 30, 1976; later performed at the Almost Free Theatre in 1976 from May 17 to June 19.

First perf at the Finborough, Monday, April 4, 2016.