Death of a Salesman (Noel Coward Theatre, London)
Willy Loman is to 20th century drama what Lear is to classical theatre. A titanic figure, he’s one of Arthur Miller’s greatest tragic creations. Continue reading
Death of a Salesman (Noel Coward Theatre, London)
Willy Loman is to 20th century drama what Lear is to classical theatre. A titanic figure, he’s one of Arthur Miller’s greatest tragic creations. Continue reading
Young Vic Theatre, London ****
Review of perf seen May 10, 2019:
Runs: 3hrs with a 15 min interval
This is the third production of that titan of a play, Arthur Miller’s semi-autobiographical reworking of his own family history, Death of a Salesman, I’ve seen in the past four years.
Miller is having something of a renaissance just at the moment with All My Sons, The American Clock and The Price all having been recently seen in the West End. Continue reading
Southwark Playhouse, London ****
Runs: 2hrs 45 mins with one 20min interval.
TICKETS: Box Office: 020 7407 0234
Review: by Carole Woddis of performance seen Mar 21, 2019:
Public and private lives intertwine in James Phillips’s The Rubenstein Kiss, first seen at Hampstead Theatre in 2005. Continue reading
Yvonne Arnaud Theatre, Guildford (****)
You can never tire of Arthur Miller’s great elegy to the ordinary working man, crushed by the system, Death of a Salesman (1949). Continue reading
Finborough Theatre, London (***)
There is no doubting the aptness of this revival by Phil Willmott – the first in 50 years – of the play that the great New York Times critic, Harold Clurman called `one of the most important plays of our time.’ Continue reading
Trafalgar Studios 2, London (****)
What a coup, Arthur Miller’s first play, given its World premiere at a pub theatre in Islington, now deservedly transferred to the West End. Continue reading