It’s interesting how Maggie Smith’s iconic 1969 performance as Edinburg teacher Jean Brodie has so stuck in people’s minds. Definitive in many ways, it was therefore brave of Josie Rourke to programme a revival.
Polly Findlay’s fine production, in David Harrower’s new adaptation, certainly justifies her decision. Continue reading →
A couple of years ago, the Young Vic revived a couple of two-hander stormers – Conor McPherson’s version of Franz Xaver Kroetz’s The Nest and Marguerite Duras’s La Musica, translated by Barbara Bray. Continue reading →
It’s one of the abiding marks of our age, the con. Whether it’s flashy as in The Hustle, aspirational as in the Lottery, or sophisticated as in The Sting, the con runs through our lives. At any one moment, we’re only a hair’s breadth away from being taken for a ride. These days, it’s more likely to be an online or phone scam offering thousands of pounds at the press of a button or a computer to be saved from a terminal virus or even secondary glazing! Continue reading →
One normally imagines As You Like It as a rustic rom-com. Polly Findlay hasn’t exactly ignored its usual romantic setting so much as, taking her cue from the characters in the play – and one or two other hints such as comedy routines, a bit of a music hall, a bit of high tech there – has given it a transformative make-over. Continue reading →