Almeida Theatre, London (****)
Like The Merchant of Venice and anti-semitism, staging Shakespeare’s Tudor propagandist Richard III, has become more problematic with our changing 21st century sensibilities towards disability. Continue reading
Almeida Theatre, London (****)
Like The Merchant of Venice and anti-semitism, staging Shakespeare’s Tudor propagandist Richard III, has become more problematic with our changing 21st century sensibilities towards disability. Continue reading
The Old Vic, London (****)
© Manuel Harlan.
Sarah Snook (Hilde Wangel) and Ralph Fiennes (Halvard Solness) in The Master Builder, Old Vic, Feb 2016
Before seeing this latest revival of Ibsen’s remarkable examination of age, desire, and the sub-conscious, I worried that Ralph Fiennes’s Halvard Solness, the self-taught and `lucky’ master builder might dwarf the rest of the cast and the production. Would the Hilde Wangel be able to hold her own against him? Continue reading
Lyttelton, National Theatre, London
`How he does talk’, says Nicholas Prevost, resplendent in cream satin as a cross between Don Giovanni’s Commandant and Roebuck Ramsden, a guardian of George Bernard Shaw’s female protagonist, Ann Whitefield.