Review: by Carole Woddis of performance seen May 14, 2014:
Was there ever a more provocative debut than this? Phoebe Waller-Bridge certainly made a huge splash with Fleabag when she opened it up at Edinburgh Fringe last year. Since then, this ode to modern womanhood has picked up every award going as most promising playwright (a lethal label really, how do you follow it?) and as performer. Continue reading →
If there was such a thing as `chick-lit’ in theatre, this would be the nearest thing to it.
But that would neither be respectful nor entirely accurate. The phenomenon that has become Vicky Jones, Phoebe Waller-Bridge and the company they formed, DryWrite, carries far greater weight than that slightly disreputable moniker would suggest. Continue reading →
If anyone thinks growing up a young woman in Britain in the 21st century is a breeze, you’ve only to go a couple of times to Theatre503 to be bitterly disillusioned. In the last couple of years, Theatre503 have premiered a trio of plays (and counting) by young women playwrights who are taking a devastating microscope to the lives and pressures to which young women are now subject. Continue reading →