Trafalgar Studios, London (***)

© Marc Brenner, Stockard Channing as a famous art historian, Kristine. Chickens coming home to roost…
I remember Apologia from its first time around, at the Bush Theatre. Then it seemed an extraordinarily acute if honest rebuke to those women of the 1960s and ‘70s, whose allegiance to making their mark and being part of those passionate political times may have blinded them to longer-term repercussions and their `maternal’ duties. Continue reading