The Bush Theatre, London
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© Helen Murray
Tanya Ronder’s F*ck the Polar Bears asks an impossible question. How do you, in the words of her harried, trendy wife, Serena `organise multilateral, worldwide, self-denial?’ Continue reading
Lyttelton, National Theatre, London
© Ellie Kurttz
Suddenly, the National Theatre is beginning to reflect the wider provenance of Great Britain. November saw Rufus Norris’s brimming production of Behind the Beautiful Forevers, David Hare’s adaptation of American journalist Katherine Boo’s Mumbai epic. Now Nadia Fall has taken on Dara, Shahid Nadeem’s original play first staged by Pakistan’s Ajoka Theatre.